Why Zack Snyder’s Justice League Isn’t Canon, The Latest and Greatest Funko Items To Purchase Now. And is far closer to the source material and is a surprisingly great movie presented in the directors cut. Admittedly, you’ve seen the movie’s tale before, back when Warner Bros. released a truncated, heavily reshot version into theaters in 2017. Darkseid crushes it beneath his foot. Thanks to the alien technology of the Mother Box used to resurrect Cyborg, Victor has superpowers, which we see him fumblingly try out by flying on his father’s Gotham rooftop. But right down to how they’re introduced, these are subtly diverging interpretations of the character. But all of that is just background for…, Steppenwolf is one of the most dramatically improved characters in Zack Snyder’s Justice League. So, since I don’t want to type up another long article about how much I didn’t like Watchmen, I’ve gone and found my old Watchmen article (that wasn’t posted on this site) and copy/pasted it here for your browsing. Aquaman is the first to get that treatment in his early scene with Bruce Wayne (detailed more above). It’s a pretty vague secondary MacGuffin in the context of the Snyder Cut, although Steppenwolf says it would give Darkseid power over the multiverse—it’s unclear why Darkseid did not know it was on Earth when he lost to Ares and the band of heroes, or why he never could come back for it. It comes across has a completely different story than the theatrical version. The driver, in a rather crude cliché, is a simpleton reaching for his food on the cab’s floor when he slams into Iris’ convertible. Mera also gets a cool moment where the villain has her pushed against the wall and says she can’t run away, “I wasn’t trying to,” she responds. However, now we are given an additional 30 minutes of footage that didn't really need to be put into the movie. The Boom Tube to Apokolips stays open long enough for Steppenwolf’s head to return home. I am well aware that one day, a super deluxe uncut version of the film will be released in which many of the things missing now supposedly will be back in the film. In the Whedon Cut, Steppenwolf is slashed by Wonder Woman and unsatisfyingly undone by becoming so fearful that he triggers his Parademons’ scent, and they eat him alive. Whatever occurred behind the scenes between Whedon, the producers, and Fisher, the actor had reason to be frustrated simply because his character arc was removed. I wish I could say it was better than this grubby, grinning, awkward reshoot moment where he talks about giving the Batman a reach around. The director’s cut of the film adds 9 minutes where the main attraction is a new ending. One imagines Superman’s treatment by Snyder and screenwriter Chris Terrio in what we now call the Snyder Cut, and Batman v Superman before it, played a major role in Warners’ eventual lack of confidence in the filmmakers. The Amazons and Wonder Woman iconography are also much more heavily featured in flashbacks to Darkseid’s first attack on Earth 5,000 years ago. Vic leads the team into STAR Labs to do the deed. The biggest bombshell here though is that this is where Jared Leto reprises his performance as the Joker. They inexplicably removed what I believe is one of the most poignant and emotional moments in the comic. The depiction of Superman in the Snyder Cut is at times quite heroic and sweet. If that’s all you wanted to know, then there you go. However, there are major caveats. Aye, there’s a real Lord of the Rings level of ambition to Diana’s flashback to the Age of Heroes. He puts together for the others that the Mother Box can be used to bring Superman back from the dead, and projects an image of Big Boy Blue for everyone to see. Back when the ostensible Whedon Cut of Justice League opened in theaters, one thing many assumed was unchanged from Snyder’s vision was the opening credits. Instead he reluctantly agrees to listen to a recording his father left for him. Even Alan Moore might be surprised at how close the movie is to the book.” I believe I can say with quite confidence that if Alan Moore ever saw this film, he’d have a s*** fit so large that he might just rip his giant beard right off his chin. With action beats given time to pause, and Steppenwolf’s surprise appearance underwater less hilariously cringe-inducing. In the book, he’s going to get the watch that he fixed and that belongs to the woman he loves. The next time we see Diana is a longer version of the scene where she discovers her mother has fired a burning arrow into the Temple of the Amazons in Greece. Then he became only one of those things. They’re burning Wonder Woman in a funeral pyre after putting two coins on her eyes for the boatmen. There’s also the highly upped sex factor Snyder put to the movie, completely reversing the two sex scenes of the book. While certainly more bloodthirsty, there’s no denying there’s a satisfaction in Aquaman stabbing Steppenwolf, Superman punching him, and finally Wonder Woman beheading him. “I fall before you,” Steppenwolf moans during his first conversation with Darkseid’s minion DeSaad (Peter Guinness). Meanwhile Steppenwolf has opened a Boom Tube portal to Apokolips where Darkseid, DeSaad, and Granny Goodness are waiting to take over Earth and claim the Anti-Life Equation. We’re a long way from Adam West, eh? When it was first announced that Zack Snyder would direct the film adaptation of the classic novel, fans were skeptical of the hiring of the 300 and Dawn of the Dead helmer. They always fail.” And it’s with exhaustion he decides to create his home base on an irradiated scrap of Russian land because it’s toxic. Afterward, the whole direction of the DCEU still pivots toward darkness in Snyder’s vision. Get the best of Den of Geek delivered right to your inbox! That captures Deathstroke’s attention and seems to set up potentially catastrophic events for Bruce’s future in Affleck’s now defunct The Batman movie. To be honest, I wanted more scenes at the news stand. Ben Affleck’s Bruce Wayne remains the focal point, at least in terms of leadership, of both the Snyder and Whedon cuts of the film. This somber opening is strikingly different and a vast improvement (see the Aquaman section for more). In time frame of just over eight months after it's theatrical release, Zack Snyder's "Watchmen" has seen three separate DVD releases: a single disc theatrical edition, a two-disc extended director's cut (which I previously reviewed here), and now a five-disc behemoth titled, "Watchmen: The Complete Story" or "The Ultimate Cut. In the Snyder Cut, it’s part of the body of the story. The Snyder Cut is more directly linked to the previous movie with Jesse Eisenberg’s Lex Luthor, complete with hair, hearing Superman’s cries from deep in the bowels of the Kryptonian ship. Perhaps most frustratingly though, her character arc is reduced to a lot of flirting with Bruce, and coming to see he is right when he chastises her for “still being hung up” on Steve Trevor. Much later in the movie, Darkseid is introduced properly when Steppenwolf reveals he’s learned Earth is home to the Anti-Life Equation. There is also a much stronger sense of teamwork in the Snyder Cut. As with the Whedon Cut, Bruce’s death is prevented when Lois shows up, but now of her own volition, and she and Clark fly away to Smallville. The first time the gauntlets are used occurs when Batman leads a nascent Justice League beneath the tunnels of Striker Island in Gotham harbor. Could it still become the plot thread of Wonder Woman 3? The sadism with which the terrorists want to kill their hostages is belabored, and Junkie XL uses a fearsome version of Zimmer’s Wonder Woman theme while introducing one of his own, which relies on a haunting choral harmony. V For Vendetta was a more “faithful” adaptation, despite it’s modern day thematic update, and he hated that, so I can only imagine what Watchmen would do the poor old cranky man. Rather than Steppenwolf, it’s Darkseid who first steps foot on Earth, turning some of the soil into the scorched cursive hellscape that Kirby fans will be intimately familiar with. The world instantly begins being ripped apart by a CG blur which presumably will turn Earth into a hellscape. Zach Snyder\\'s Justice League Vs Watchmen Director\\'s Cut Vs Batman V Superman Dawn Of Justice Ultimate Edition It waits.”. Up until that point, most of Affleck’s scenes remain the same, even if they breathe or are edited slightly differently. I mean, that should be a given. Continuing on the divergent paths between the Whedon and Snyder Cuts, the epilogue of the latter (complete with a title card) essentially presents the road not taken in the DCEU. One scene that stuck out particularly in my mind was when Manhattan was telling of his past, there is a scene where he kills some men about to shoot at him. Particularly between Bruce and Diana…. The movie opens with the Amazons tirelessly on guard when the Mother Box awakens. The one significant change before the climax is Barry and Victor digging up Clark Kent’s grave. Other bits are just ludicrous, like financial markets being personified by a CGI bear slapping a CGI bull. The second sex scene is supposed to be short but drive the point home – in the movie it’s long, features a lot of nudity and probably one of the dumbest ideas for a soundtrack I’ve ever heard. This clearly stands as a trailer for Justice League sequels that almost certainly will never be. A standard-definition version of the theatrical cut is being released by itself concurrently with the Director's Cut packages, but there is no viable high-definition option for those of us who want to compare one to the other, or … Maybe that’s why the Flash’s first scene in the Snyder Cut does not occur until nearly 70 minutes into the film. He merely just looked down on the rest of the world and thought they needed him to save it. Bruce Wayne still breaks into Barry’s loft and tells Barry his superpower is that “I’m rich.”. 4. Whereas Whedon and WB got Batman in the costume faster for a tongue-in-cheek action sequence with screaming crooks and flying aliens, Zack Snyder’s Justice League ignores the Batsuit for a clean two hours. Soon Ma Kent joins them and it’s a lovely moment of reconciliation with the women in his life. Score: 7 out of 10 Video and Presentation Watchmen comes to Blu-ray in its original theatrical 2.40:1 widescreen ratio on a … However, when we had heard about the Director’s Cut, we all assumed that there would be more than just that. When we see Silas come home to Victor at their apartment, the son will not even speak to his father. When Rorschach discusses how it was that he lost his mind, he tells the tale of hunting a kidnapper and finding the charred remains of a little girl. The cop she gives her morning coffee to asks Miss Lane if she ever skips a day, and she says there’s nowhere else she’d rather be. Interestingly, the Flash is both the least developed of the superheroes in the Snyder Cut and also the most unchanged by Whedon. Similarly, Snyder achieves another grace moment when Lois sees Superman flying in the sky right after his resurrection. While Bruce is recruiting Barry, Diana has a nice scene with Alfred about making tea before Victor Stone summons her by hacking the Bat-computer. Rather Arthur disappears quietly beneath bubbles between shots. This COMPLETELY misses the point of Rorschach’s descent into a brutal vigilante. Meanwhile the echoes of Clark’s anguish reverberate all the way past Zeus’ magical cloak to Themyscira where the Amazons (rather impressively) have an entire army guarding the Mother Box they obtained 5,000 years ago. “We will do things the old way,” Darkseid hisses. We also knew that the ending of the movie was different, but that it “worked.” That and the costume changes were supposedly all we were going to lose. Batman counters, “I’m operating on complete faith now.” Quite the about face from the last movie. That is justice for her fallen Amazonian sisters. Eventually, Cyborg gets his own flashback to a time when he was more man than machine. Warner released a 186-minute director's cut of the film, expanded from the 162-minute theatrical cut, on all formats on July 21, 2009. It’s still technically the same ending: the five main members of the League show up in a nondescript Russian town to fight Parademons. There’s something to be said about that. When time returns to normal, Iris realizes she was saved by this cute dork, who then rushes back in time for the pet shop owner to be unsure who broke her window in the blink of an eye. We dive into the significant differences between Zack Snyder’s Justice League and the version Warner Bros. and Joss Whedon released into theaters. Barry’s feeding the hot dog to her canines. It’s also a wholly different introduction scene to what we saw in the theatrical cut. Chinese Ghost Story II, A. Your adaptation of 300, tohugh flawed, was at least more accurate than this. The Snyder Cut confirms it is a decrepit warehouse near the docks in Gotham harbor. It begins by basking in what isn’t sad between Victor and his father Dr. Silas Stone (Joe Morton). The soundtrack plays Nick Cave and the Bad Seeds’ “Distant Sky,” and the scene bleeds a dignified sorrow as Lois unfurls her umbrella in the rain and walks up to Superman’s memorial to lay flowers. Victor’s high-end computer body now gives him the ability to control the world’s nuclear arsenals and the world’s economy. Additionally, he hears both of his dads’ voices, Jor-El (Russell Crowe) and Pa Kent (Kevin Costner). Finally, we see Darkseid himself murder Aquaman with his own trident…, This appears to be an inevitable future of “the Snyder Verse.”. But that two-hour theatrical cut of Justice League, assembled by director Joss Whedon, really is a night and day different film. Some of it is new recordings, which don’t really make sense as both men are dead. WATCHMEN 2 Disc Director's Cut DVD Review. It’s a sincerely quiet moment that (Wonder Woman leering aside) is refreshingly earnest and hushed for a superhero movie. With imagery clearly filmed by the director—including unused footage from the Superman funeral sequence in Batman v Superman: Dawn of Justice—the downbeat credits were edited to Singrid’s rendition of “Everybody Knows,” a cover of a song from one of Snyder’s favorite musicians, Lenoard Cohen. For all the violence that exists in the book, it’s really not that much of a focus at all. Could this have once been the plot thread of Wonder Woman 2? Afterward they argue in the car about whether Dad really cares about Victor. After his body is exhumed and wrapped up, Barry says, “He was my hero.”, Of the main five heroes in Justice League, Cyborg turned out to be the most important by far. While she again has relatively little to do, the rare moments where she is on screen in the Snyder Cut count a hell of a lot more. Director’s Cut has more of his vision than theatrical cut, while still working as a smooth movie experience. By contrast, you intrinsically feel that absence in the Snyder Cut. But Amber Heard’s Mera speaking her lines in a purely Posh London accent after a whole movie of her using an American one in Aquaman is a real trip. When he asked why, I simply said, “The Watchmen movie could be God awful, but I’ll always have the book.” Now that I’ve seen the movie, I can say I easily made the right choice. While the theatrical version of Watchmen was overlong at 2 hours and 40 minutes, the “Director’s Cut” on Blu-ray is a mind and butt numbing 3 hours and 6 minutes. Indeed, quite a bit of the Whedon Cut’s opening credits scenes are used elsewhere in Zack Snyder’s Justice League, including breathtaking imagery of the Superman symbol draped in black over London’s Tower Bridge. Darkseid, by contrast, is introduced to be Emperor Palpatine meets Sauron. Differences: While Rorschach is in The Comedian's apartment, two uniformed cops enter to investigate noises. Ultimate Cut The film is 24 minutes longer than the theatrical cut and is somehow even more faithful to … at Gotham University. Additionally, there’s a really nice grace note of Nick Cave and the Bad Seeds’ “There is a Kingdom” playing when Aquaman goes to brood stoically before a raging storm. All of that is gone in the Snyder Cut, which instead focuses on presenting Wonder Woman as the most ferocious and noble of the film’s six superheroes. But we hear Pa repeat, “Fly son” and Jor-El intone, “Love them as we loved you.”. I felt nothing. I can't think of any director's cut I prefer to the theatrical version (I haven't seen the extended cuts of Watchmen or BvS). We had reports from people who saw early screenings and test footage of the film completely praising it. Unfortunately, his return is much the same as it was in the Whedon Cut, with the gloomy gray cinematography and the outright sinister version of Superman who’s apparently forgotten his identity. The most effective element is, again, Cyborg as he reconstructs his father’s broken audio recording and hears Silas’ love as a “father twice over.” It’s bittersweet Victor never got to verbally reconcile with his papa, but just saying, “You’re my father” might’ve been enough. The battle is much bigger and more reliant on slow-motion, including shots of Hippolyta flipping off walls and hesitating to bury the other Amazonians alive. As we eventually learn in dialogue exchanges over BvS’ weird molten metal intergalactic telecommunication technology, Steppenwolf is a pariah back home on the planet Apokolips. Patrick Wilson was also a great casting choice. When Dr. Manhattan leaves Earth, it’s a process of embarrassment (to an extent). Source. Instead, the Flash says, “I guess that’s the bad guy” in the Snyder Cut, and Batman stoically responds, “Good guess.” Bruce also drops his sense of humor, losing some solid bits like “Sorry guys, I didn’t bring a sword” when the Knightcrawler starts shooting up Parademons. But the new edit foregoes a traditional opening credits sequence for a more restrained montage that returns to the climax of Batman v Superman, and to the moment when Henry Cavill‘s Superman dies. But that’s pittance compared to the far bigger stinger for the future. In a development that maybe would’ve left a Flash solo movie with nowhere to go, Darkseid and Steppenwolf briefly win, the three Mother Boxes merging despite Cyborg’s best efforts. Didn’t think you were real.” The Dark Knight answers, “I’m real when it’s useful.” Additionally, Batman doesn’t really mentor the Flash in this sequence or in any other going forward. Victor is so intelligent, while also being a football star, that he can get away with hacking into the school’s database and changing a friend’s grades. Batman’s suicide play of driving headlong into carnage makes more sense in this version as he crashes his plane into one of Steppenwolf’s magical machines, which brings down a force field and lets the team enter beneath the villain’s dome. In the restored sequence, Barry Allen is applying for a job as a dog groomer at a pet shop when the unnamed woman who just left—or as fans know her, Iris West (Kiersey Clemons)—is almost pancaked by a semi-truck. However, now we are given an additional 30 minutes of footage that didn’t really need to be put into the movie. Beyond more spikes being added to his armor (and his chin being slightly shrunken from its ridiculous size), the Ciarán Hinds-voiced baddie’s motivations are wholly different. There is a method to his madness, and just having him cut up a guy takes away from that. For starters, there is a genuinely heartfelt sequence about grief—one that it’s fair to wonder if Snyder has added special emphasis to. Hey, guess what Zack Snyder – that’s. He is not simply some thug. It’s one of the better additions that feels like a pseudo-Indiana Jones scene of Diana using the arrow to unlock a hidden chamber beneath the ruins, and then descending with a torch. So the inclination of giving her more to do than discover Darkseid/Steppenwolf’s backstory was a prudent one, but all it left her with was smiling longingly as Batman drives off in the Batmobile during the third act. There are no civilians (or randomly shoehorned in Russian family) to save. The sequence is filmed to mirror the opening moments of The Fellowship of the Ring, with Darkseid’s defeat harkening back to the glorious day the people of Middle-earth were victorious. Yep, when she tells her sisters to seal the cave, it’s a death trap. The film is 24 minutes longer than the theatrical cut and is somehow even more faithful to … She leans down before one girl to say, “You can be whatever you want to be.” It’s actually sweeter than her saying “[I’m] a believer,” but I’m not sure it works given the new tone of the scene. Furthermore, she couldn’t stand and watch him be torn apart in the chamber which further adds to the dramatic elements of that particular scene… at least, in the book. Superman then flies to the Batcave and meets Alfred, who tells him where to go… for the end of things. When Silas uses the magic box on Victor, the son screams bloody murder. The Director's Cut is 20 minutes longer than the Theatrical Version. We get the impression he’s been traveling for weeks on a horse and over mountains, sporting a bushy beard as he reaches the fishing village Arthur Curry (Jason Momoa) has provided supplies to. I think it’s the “just right” experience out of the three. The only person who doubts the idea is Alfred who in another scene warns Bruce, “If you can’t bring down a charging bull, then don’t wave the red flag.”. We also meet his mother who defends her son’s kind heart from the dean in a sequence that’s intercut with his slow-motion football glory, plus a side of melancholy because daddy wasn’t there. He says your parents would be proud of you and that he wants to join his team. The way this works out in the book is so phenomenal to look at, and the metaphors shown through the use of the Tales Of The Black Freighter are what make Watchmen a timeless and peerless piece of literature. In the Whedon Cut, the pair’s conversation after Bruce has shaved is a reshot sequence with some admittedly amusing character-building dialogue, like Alfred saying, “I miss the days when one’s biggest concern was exploding wind-up penguins.” The Snyder Cut’s version is more expository and ominous. Yet how these elements are incorporated, and where they leave the DC Extended Universe, are like on different planes of existence. Thus begins a resurrection sequence where it’s genuinely affecting to hear Zimmer’s Superman theme again as Kal-El’s body is placed into the Kryptonian ships goo-room. Triple that, and you’ll come close to watching Watchmen. “I could do this in a second,” Barry says. I don’t personally know one person who enjoys Watchmen over Watchmen: The Director’s Cut. Now he simply says, “My turn.”. Some of it is very intriguing, such as Diana taking the arrow from her mother and looking out at the horizon of the Aegean Sea by the Temple of the Amazons. Theatrical Cut (162 min.) Gone also is the cheeky line, “Yeah, it looked expensive,” from Diana when Bruce mentions the cost of his security equipment. Kubrick's later 'European cut' is better than the American release of The Shining. Basically, Steppenwolf is a putz. In the Whedon Cut, Batman has the first scene of the movie that isn’t shot on an iPhone. It’s a shame, but it is so brazenly, defiantly Snyder’s vision—and so far removed from the Whedon Cut’s goofy ending on Superman and Flash having a happy go lucky race to the Pacific—that one can at least give this to to the director: He did it his way. The discussions had about are pivotal to the story. In the new cut, Wonder Woman not only throws the bomb through the roof but jumps with it to make sure it explodes faar above the skyline. He’s so aware of these creatures that Batman ignores the thief spelling out the subtext of Justice League’s first act: With Superman dead, where does that leave us? Raised on cinema classics that ranged from…, Ben Affleck Talks Working with Matt Damon Again in The Last Duel, Ben Affleck Returns as Batman for The Flash Movie, Celebrating The Sopranos Review: Three Part Doc Doesn't Stop Believin', Coming 2 America Review: Eddie Murphy's Zamunda Needs New Blood, How Wonder Woman 1984 Treats Its Villains Sets the Movie Apart, Zack Snyder’s Justice League: Why Wonder Woman and the Amazons Have a New Theme, From Man of Steel to Zack Snyder’s Justice League: A Complete DCEU Timeline, Why Zack Snyder’s Justice League is in a 4:3 Aspect Ratio, Zack Snyder’s Justice League: A History of Steppenwolf, Zack Snyder’s Justice League Ending Explained: The Sequels and DCEU We Never Saw, How Zack Snyder’s Justice League Leaves the Door Open to Restore the Snyder Verse, Men of Steel: 11 Actors Who Have Played Superman, Superman Reboot: Ta-Nehisi Coates Can Get Character Back to His Essence, Joker: 6 Actors Who Have Played the Clown Prince of Crime, The Dark Knight: Why Heath Ledger’s Joker is Still Scary Today, Jared Leto reprises his performance as the Joker, Zack Snyder's Justice League: DC Comics and DCEU Easter Eggs Guide, Injustice Beat Zack Snyder's Justice League to the Punch.
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