On and on, now east now west, wound the poor thread that once had been our drive, the grey stone shining in the moonlight of my dream. I came upon it suddenly; the approach masked by the unnatural growth of a vast shrub that spread in all directions, and I stood, my heart thumping in my breast, the strange prick of tears behind my eyes. This image of the letter R turning to dust foreshadows the end of the novel when Manderley burns down. They crowded, dark and uncontrolled, to the borders of the drive. The opening line of the novel, “Last night I dreamt I went to Manderley again,” immediately frames the work with a sense of loss and mystery. Last night I dreamt I went to Manderley again. In Monte Carlo, Maxim was entranced by the narrator's innocence and purity specifically because it was so different from Rebecca's crass immodesty and sexual familiarity. At first I was puzzled and did not understand, and it was only when I bent my head to avoid the low swinging branch of a tree that I realized what had happened. Rebecca (1940) Source video - Top clips - Next line quiz. A typography print for book lovers, featuring one of the most famous Rebecca quotes - the literary classic from Daphne du Maurier. "Last night I dreamt I went to Manderley again. The narrator only gives vague details, mentioning a beautiful house in ruins and the fact that she and her unnamed male companion can never return to it. This quotation is the opening sentence of Rebecca has become one of its most often-quoted lines. SETTINGS. only when the novel begins with a dream, “Last night I dreamt I went to Manderley again.”(5) The Chapter 2 unfolds that the narrator was a paid companion to an older, coarser, In 1937, Daphne du Maurier signed a three-book deal with Victor Gollancz and accepted an advance of £1,000. The trees had thrown out low branches, making an impediment to progress; the gnarled roots looked like skeleton claws. I dreamt that where our drive once lay, a dark and tortured jungle grew. Last night I dreamt I went to Manderley again. And there were other trees as well, trees that I did not recognize, squat oaks and tortured elms that straggled cheek by jowl with the beeches, and had thrust themselves out of the quiet earth, along with monster shrubs and plants, none of which I remembered. Instead, she haunts Manderley in the memories of those that live there. Easily move forward or backward to get to the perfect spot. It's poetic! Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. Tea under the chestnut tree, and the murmur of the sea coming up to us from the lawns below. Her shadow between us all the time. What might be the catalysts of this change? There would be no resurrection. They were memories that cannot hurt. Click to see full answer. It’s a window into the best and worst of human nature, and a complex portrait of love and jealousy, leaving the reader to wonder: what would we … This quotation is spoken by Maxim after he has revealed the truth about Rebecca's death to the narrator. HQ. The rhododendrons stood fifty feet high, twisted and entwined with bracken. If I had a child, Max, neither you, nor anyone in the world, would ever prove that it was not yours. Rebecca Quotes Maxim de Winter: And I should be making violent love to you behind a palm tree. Nature had come into her own and yet the house still stood. They choked the terrace, they sprawled about the paths, they leant, vulgar and lanky, against the very windows of the house. By night she'd come. It's gone forever, that funny, young, lost look that I loved. Mrs. Danvers maintains all of Rebecca's traditions, even down to the use of the house telephone for approving menus; all of the furnishings were chosen specifically by Rebecca; even Rebecca's room is kept exactly as it was on the night that she died. The quotation is spoken by Ben during the narrator's second conversation with him on the beach next to the cottage. Published April 20, 2012 by stacey bartlett. Last night I dreamt I went to Manderley again. Daphne du Maurier | Rebecca (p. 1). Light came from the windows, the curtains blew softly in the night air, and there, in the library, the door would stand half open as we had left it, with my handkerchief on the table beside the bowl of autumn roses. Date: 1938. Last night I dreamt I went to Manderley again.”. It immediately establishes significant questions about the plot of the novel. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. There was a padlock and chain upon the gate. I called in my dream to the lodge-keeper, and had no answer, and peering closer through the rusted spokes of the gate I saw that the lodge was uninhabited. What is the nature of this mysterious Manderley, and more, importantly, what happened to it that makes the narrator dream about it repeatedly? Ashtrays, with the stub of a cigarette; cushions, with the imprint of our heads upon them, lolling in the chairs; the charred embers of our log fire still smouldering against the morning. The quote "last night I dreamt I went to Manderley again," is an example of what primary quality of Gothic literature? The sentence is striking in terms of prosody (rhythm,stress, intonation). The woods, always a menace. I'm a bachelor, I don't know much about women, I lead a quiet sort of life down here at Manderley as you know, but I should say that kindliness, and sincerity, and if I may say so -- modesty -- are worth far more to a man, to a husband, than all the wit and beauty in the world. It's you who ought to be dead, not Mrs. de Winter. Although the narrator never knew Rebecca, she is still tormented by her presence: everything in the house has a touch of Rebecca, and there is no room for anyone else. It has never been out of print. The room would bear witness to our presence. The only way to truly destroy her and move forward from the past is the cathartic fire that burns down the estate. Why don't you go? I should remember the rose-garden in summer, and the birds that sang at dawn. I walked enchanted, and nothing held me back. Rebecca study guide contains a biography of Daphne Du Maurier, literature essays, quiz questions, major themes, characters, and a full summary and analysis. There She knew she would win in the end. It seemed to me I stood by the iron gate to the drive, and for a while I could not enter, for the way was barred to me. These things were permanent, they could not be dissolved. They made indifferent sentinels, for in many places their ranks had been broken by the rhubarb plant, and they lay with crumpled heads and listless stems, making a pathway for the rabbits. Find the exact moment in a TV show, movie, or music video you want to share. Rebecca (1940) - Yarn is the best way to find video clips by quote. Tact never was my strong point, as Maxim will tell you. the long strands crept across the lawns, and soon would encroach upon the house itself. (Laurence Olivier and Joan Fontaine in Hitchcock’s 1940 film adaptation Rebecca, 1940), Themes: Memory and Past, Love and Marriage, Class, Lies and Deceit. What can we infer from the narrator’s thoughts in the last paragraph of chapter 1? The drive was a ribbon now, a thread of its former self, with gravel surface gone, and choked with grass and moss. It's you that ought to be lying there in the church crypt, not her. Aware of her failing health, Rebecca took advantage of Maxim's emotional attachment to Manderley in order to goad him into shooting her (and thus dying on her own terms). Nature had come into her own again and, little by little, in her stealthy, insidious way had encroached upon the drive with long, tenacious fingers. From shop CartabanCards. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me. I left the drive and went on to the terrace, for the nettles were no barrier to me, a dreamer. 2. Whether out of embarrassment or a sense of loyalty to Maxim, Frank remains largely close-lipped about Rebecca to the narrator, leading her to conclude that he was just as much in love with her as everyone else. they had gone native now, rearing to monster height without a bloom, black and ugly as the nameless parasites that grew beside them. According to the narrator, how has she changed? Follow me! Quotes: Chapters 1-10 By: Gabriella Lopez “Last night I dreamt I went to Manderley again” (Maurier 1). When Mrs van hopper persuaded maxim to have coffee he made certain what? … https://invada.bandcamp.com/album/rebecca-music-from-the-netflix-film Scattered here and again amongst this jungle growth I would recognize shrubs that had been landmarks in our time, things of culture and grace, hydrangeas whose blue heads had been famous. This quotation is spoken by Beatrice at the end of her first visit with the narrator. could see the sheet of silver placid under the moon, like a lake undisturbed by wind or storm, I saw that the garden had obeyed the jungle law, even as the woods had done. What is the nature of this mysterious Manderley, and more, importantly, what happened to it that makes the narrator dream about it repeatedly? In this instance, Frank attempts to tell the narrator that she is superior to Rebecca, but, unaware of Rebecca's evil nature, the narrator is unable to grasp the full meaning of his words. Rebecca opens with the famous line, "Last night I dreamt I went to Manderley again" (1.1). The novel begins, “Last night I dreamt I went to Manderley again.” The narrator remembers a dream about approaching a large metal gate that’s been locked. Primarily for a Tatta. Despite his mental retardation (or perhaps, because of it), Ben is able to see the true Rebecca, a version of the character that the narrator doesn't know existed until Maxim confesses the truth about her death. It was not ashes even, it was feathery dust...I went and washed my hands in the basin. The letter R was the last to go, it twisted in the flame, it curled outwards for a moment, becoming larger than ever. The moment I spotted it, and in contradiction to the artist’s intent, I gasped, “That’s Manderley.” “Last Night I Dreamt I went to Manderley again…” So begins a book I’ve loved since the age of 10, Rebecca by Daphne du Maurier. Quote by Daphne Du Maurier: “Last night I dreamt I went to Manderley again.”. Dream you went to Manderley again in first Rebecca trailer. I could not mistake it anywhere...It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner. The things we have tried to forget and put behind us would stir again, and that sense of fear, of furtive unrest, struggling at length … Last night I dreamt I went to Manderley again … With these words, the reader is ushered into an isolated gray stone mansion on … A lilac had mated with a copper beech, and to bind them yet more closely to one another the malevolent ivy, always an enemy to grace, had thrown her tendrils about the pair and made them prisoners. A typography print for book lovers, featuring one of the most famous Rebecca quotes - the literary classic from Daphne du Maurier. The past is still close to us. I'm sorry, my text has no page numbers, can you provide a quote from the section in question, so I can do a search? I turned again to the house, and though it stood inviolate, untouched, as though we ourselves had left but yesterday, I saw that the garden had obeyed the jungle law, even as the woods had done. "Last night I dreamt I went to Manderley again. There was Manderley, our Manderley, secretive and silent as it had always been, the grey stone shining in the moonlight of my dream, the mullioned windows reflecting the green lawns and the terrace. Maxim made sure that the both of them, narrator and Mrs. Van Hopper, had coffee with him. Moonlight can play odd tricks upon the fancy, even upon a dreamer's fancy. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me. The novel then becomes an explanation of this one mystery; every event that unfolds contributes to the loss of Manderley and the narrator's preoccupation with it in her dreams. (We already have a dorky side note for you: that line is written in iambic hexameter. They choked the terrace, they sprawled about the paths, they leant, vulgar and lanky, against the very windows of the house. This is the first time that the reader gets a sense of Rebecca as a character rather than just a memory. “We can never go back again, that much is certain. The Question and Answer section for Rebecca is a great All this I resolved in my dream, while the clouds lay across the face of the moon, for like most sleepers I knew that I dreamed. This is the first time in the novel that the narrator feels directly compared to Rebecca; although Mrs. Van Hopper had mentioned Maxim's first wife in conversation, the narrator didn't feel a true connection. Significantly, Ben is the only character who acknowledges Rebecca's evil nature from the very beginning. Easily move forward or backward to get to the perfect spot. Last night I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me. Check out our "Writing Style" section for more on that.) Quotes [first lines] Mrs. de Winter: [narrating] Last night I dreamt I went to Manderley again. Consider the structure of the opening sentence of Daphne du Maurier’s novel Rebecca. What at Manderley that would cause her to revisit it in her dreams repeatedly? We none of us want you. I remembered her eyes as she looked at me before she died. For the first time in the novel, all of the narrator's fears about Rebecca and Maxim are articulated aloud. The trees had thrown out low branches, making an impediment to progress; the gnarled roots looked like skeleton claws. Later on, it is revealed that Beatrice did not even like Rebecca, but, at this point, the narrator assumes that Beatrice is subtly voicing her preference for Maxim's glamorous first wife. "Rebecca Quotes and Analysis". “Last night I dreamt I went to Manderley again.” Daphne du Maurier, Rebecca. The opening line to Daphne du Maurier's most famous novel, Rebecca is one of the great opening lines in English fiction. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me.’ One of the best opening lines ever, this sentence from Rebecca by Daphne Du Maurier is the … Secretive and silent as it … Behind the gate, she sees an old house with lattice windows and a chimney. I walked enchanted, and nothing held me back. Last night I dreamt I went to Manderley again. The beeches with white, naked limbs leant close to one another, their branches intermingled in a strange embrace, making a vault above my head like the archway of a church. I was looking at you, thinking of nothing else all through lunch. A lilac had mated with a copper beech, and to bind them yet more closely to one another the malevolent ivy, always an enemy to grace, had thrown her tendrils about the pair and made them prisoners. Her damned shadow keeping us from one another. Harper Collins Rebecca Synopsis:. "Rebecca" is not a traditional ghost story: Rebecca does not roam the halls of Manderley in spirit form. Last night I dreamt I went to Manderley again. - quote by Dame Daphne Du Maurier on YourDictionary. I looked upon a desolate shell, soulless at last, unhaunted, with no whisper of the past about its staring walls. The beeches with white, naked limbs leant close to one another, their branches intermingled in a strange embrace, making a vault above my head like the archway of a church. The illusion went with it, and the lights in the windows were extinguished. I should think of it as it might have been, could I have lived there without fear. Wang, Bella ed. An extract from Daphne Du Maurier's Rebecca for World Book Night. The starkness of the sentence suggests a certain nostalgia, almost as if the narrator would return to Manderley if she could but is prevented by some larger force. http://www.Facebook.com/kitnelsonbandRebecca reading. She started "sluggishly" and wrote a desperate apology to Gollancz: "The first 15,000 words I tore up in disgust and this literary miscarriage has cast me down rather." Share Tweet. Correspondingly, what literary classic begins with last night I Dreamt I went to Manderley again? And, as I told you before, you're not a bit what I expected...You see, you are so very different from Rebecca. “Last Night, I Dreamt I Went to Manderley Again” – Rebecca (Film Review) “Last Night, I Dreamt I Went to Manderley Again” – Rebecca (Film Review) Posted on October 20, 2020 at October 19, 2020 by Tom Beasley 524 0. "I have forgotten much of Monte Carlo, of those morning drives, of where we went, even of our conversation; but I have not forgotten how my fingers trembled, pulling on my hat, and how I would run down the stairs and so outside. I would think of the blown lilac, and the Happy Valley. only when the novel begins with a dream, “Last night I dreamt I went to Manderley again.”(5) The Chapter 2 unfolds that the narrator was a paid companion to an older, coarser, Surely the miles had multiplied, even as the trees had done, and this path led but to a labyrinth, some choked wilderness, and not to the house at all. How could I hold you like this, my darling, my little love, with the fear always in my heart that this would happen? In actuality, Beatrice is expressing her confusion that Maxim would choose such a young, quiet girl to replace Rebecca, a fact that demonstrates the extent to which Rebecca and Maxim fooled the public into thinking they had a happy marriage. Sometimes I thought it lost, but it appeared again, beneath a fallen tree perhaps, or struggling on the other side of a muddied ditch created by the winter rains. We would not talk of Manderley, I would not tell my dream. This quotation is the opening sentence of Rebecca has become one of its most often-quoted lines. Although the narrator cuts out the inscription page from the book and then rips it up, she still feels Rebecca's presence; the only thing that gives her a sense of peace is setting the page on fire. Nettles were everywhere, the vanguard of the army. Do you think the dead come back and watch the living? This quotation is spoken by Maxim after he has told the narrator the truth about Rebecca's death. No waves would come to ruffle this dream water, and no bulk of cloud, wind-driven from the west, obscure the clarity of this pale sky. There would be nothing you could do...It would give you the biggest thrill of your life, wouldn't it, Max, to watch my son grow bigger day by day, and to know that when you died, all this would be his? Support your answer with evidence from Chapter 1. squat oaks and tortured elms that straggled cheek by jowl with the beeches, and had thrust themselves out of the quiet earth, along with monster shrubs and plants. He can't forget her. Last night, I dreamt I went to Manderley again. It won't come back again. - quote by Dame Daphne Du Maurier on YourDictionary. A young newlywed arrives at her husband's imposing family estate on a windswept English coast and finds herself battling the shadow of his first wife, Rebecca, whose legacy lives … From its iconic first line — “Last night I dreamt I went to Manderley again” — to its last twist, Rebecca has kept readers riveted for decades. Last night, I dreamt I went to Manderley again... Replay Video. Manderley was no more. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. Then it crumpled too; the flame destroyed it. For the Tatta is my buddy. Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. The narrator had incorrectly assumed that Maxim's anguish was due to the loss of his wife, but Maxim is actually tormented by the realization that Rebecca has manipulated him into killing her. Now, because of his actions, he has destroyed the narrator's most precious quality, and he has no one to blame but himself. This quotation is spoken by Rebecca in a flashback that Maxim describes to the narrator. “Last Night, I Dreamt I Went to Manderley Again” – Rebecca (Film Review) “Last Night, I Dreamt I Went to Manderley Again” – Rebecca (Film Review) Posted on October 20, 2020 at October 19, 2020 by Tom Beasley 524 0. It would grow up here in Manderley, bearing your name. He wants to be alone in the house again, with her. With Lily James, Armie Hammer, Kristin Scott Thomas, Keeley Hawes. Last night I dreamt I went to Manderley again. GradeSaver, 6 August 2010 Web. Tall and dark she was. “Last night I dreamed I went to Manderley again. There was another plant too, some half-breed from the woods, whose seed had been scattered long ago beneath the trees and then forgotten, and now, marching in unison with the ivy, thrust its ugly form like a giant rhubarb towards the soft grass where the daffodils had blown. The terrace sloped to the lawns, and the lawns stretched to the sea, and turning I could see the sheet of silver placid under the moon, like a lake undisturbed by wind or storm. Time could not wreck the perfect symmetry of those walls, nor the site itself, a jewel in the hollow of a hand. The author, Daphne du Maurier, placed Manderley in the setting of Menabilly, a home It is suddenly clear the extent to which Maxim has been tortured with guilt over murdering Rebecca. I seen her here with me own eyes. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me. Support your answer with evidence from Ch. Last night I dreamt I went to Manderley again. Rebecca essays are academic essays for citation. When I thought of Manderley in my waking hours I would not be bitter. The almost over-written, school-girl-like opening to du Maurier’s most famous and enduring work introduces the reader to its unnamed narrator and her dream about the estate of Manderley. Not affiliated with Harvard College. The novel defies conventional genres. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. This beginning line establishes the plot and causes the reader to question why Manderley is important to the narrator. 16 Quotes from Daphne du Maurier’s Rebecca (with page numbers) 1. The novel begins, “Last night I dreamt I went to Manderley again.” The narrator remembers a dream about approaching a large metal gate that’s been locked. The day would lie before us both, long no doubt, and uneventful, but fraught with a certain stillness, a dear tranquillity we had not known before. She will achieve a final victory her body is discovered and Maxim is sent to prison as a murderer. The narrator only gives vague details, mentioning a beautiful house in ruins and the fact that she and her unnamed male companion can never return to it. Find the exact moment in a TV show, movie, or music video you want to share. It also demonstrates Rebecca's skill at manipulating Maxim. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter for the way was barred to me. That quick, light footstep. From its iconic first line — “Last night I dreamt I went to Manderley again” — to its last twist, Rebecca has kept readers riveted for decades. The drive wound away in front of me, twisting and turning as it had always done, but as I advanced I was aware that a change had come upon it; it was narrow and unkempt, not the drive that we had known. Vincent, Caitlin. “Last night I dreamt I went to Manderley again” (Maurier 1). She gave you the feeling of a snake. Share Tweet. Rebecca (1940) - Yarn is the best way to find video clips by quote. It's gone, in twenty-four hours. I would sigh a moment, stretch myself and turn, and opening my eyes, be bewildered at that glittering sun, that hard, clean sky, so different from the soft moonlight of my dream. the vanguard of the army. The house was a sepulchre, our fear and suffering lay buried in the ruins. No smoke came from the chimney, and the little lattice windows gaped forlorn. A 2008 article in The Daily Telegraph indicates she had been toying with the theme of jealousy for the five years since her marriage in 1932. Last night I dreamt I went to Manderley again. She assumes that Frank is simply being kind to her, a conclusion that seems to be supported by Frank's later acknowledgement of Rebecca's great beauty. Manderley. He doesn't want you, he never did. Copyright © 1999 - 2021 GradeSaver LLC. By: Gabriella Lopez. ... Last night I dreamt I went to Manderley again. While the other minor characters in the novel emphasize Rebecca's beauty and sophistication, Ben ominously describes a tall, snake-like woman who only appears at night. I felt better, much better. The drive was a ribbon now, a thread of its former self, with gravel surface gone, and choked with grass and moss. He becomes Du Maurier's version of the Fool of literary tradition, a character who speaks the truth in nonsense. Rebecca (1940) Source video - Top clips - Next line quiz. I remembered that slow treacherous smile. She knew this would happen even then. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter for the way was barred to me. There was a padlock and a chain upon the gate. The woods, always a menace even in the past, had triumphed in the end. And Jasper, dear Jasper, with his soulful eyes and great, sagging jowl, would be stretched upon the floor, his tail a-thump when he heard his master's footsteps. Directed by Ben Wheatley. 9. They crowded, dark and uncontrolled, to the borders of the drive. There was a padlock and chain upon the gate. Rebecca’s famous opening line, “Last night I dreamt I went to Manderley again,” sets the scene for a novel about a house full of secrets where nothing is as it seems. The little heap of library books marked ready to return, and the discarded copy of The Times. Jane Eyre and the Unnamed Narrator of Rebecca as Innocent Victims, Mrs Danvers: A Foil for the Narrator of "Rebecca", Narrative Structure and the Narrative Manipulation in ‘Rebecca’, Social Class or Something More: Relationships and Motivations in Rebecca and Tess of the d'Urbervilles, Memory and Recollection in Rebecca: A Close Reading. Behind the gate, she sees an old house with lattice windows and a chimney. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me.”.
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